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Unread postPosted: Sun Jan 06, 2013 9:05 pm 
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We begin with a little known but highly favored horror thriller from the early seventies; this music plays over the beginning credits, the climax and end credits and really surprised me when I first listened to it - it's quite haunting...


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>>>>>>>>>>>>>>>>>>>>>>>> Composer: Marc Wilkinson


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Unread postPosted: Mon Jan 07, 2013 3:25 pm 
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Next -- Dark of the Sun 1968 (any members here not seen this film, as yet? tsk, tsk to ya all..)
Also known as The Mercenaries:


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>>>>>>>>>>>>>>>>>> composer: Jacques Loussier

here's another variation:

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Unread postPosted: Mon Jan 07, 2013 9:27 pm 
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Good idea for a thread Kaptain.

Unfortunately I don't know anything about "Dark of the Sun" or "The Mercenaries".
Many here will argue I have led a "sheltered life" when it comes to classic movies, so this shouldn't come as a shock to a few members here. :dance:


Got a brief description of this movie?

Hmmmm, maybe we can dig it up and place it here on the board at some point soon.


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Unread postPosted: Mon Jan 07, 2013 10:59 pm 
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TZ DZ Fan wrote:
Got a brief description of this movie?

Hmmmm, maybe we can dig it up and place it here on the board at some point soon.

Maybe the powers-that-be here can start up a new section for classic action films or something of that nature.

Where to start..? Dark of the Sun stars Rod Taylor in his best role as a mercenary on a special mission to retrieve diamonds in the Congo, in the early sixties during the 'Simba' revolution. His right hand man is played by Jim Brown. Along the way, they pick up Yvette Mimieux.
Image Image Image

I've long felt this to be a near-perfect action-adventure film; it's exotic, it's brutal... and it's got about the greatest epic fight-to-the-death conclusion of any film I've ever seen. And that's not even the chainsaw fight which takes place in the middle of the film...! :o
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I hope I caught your interest. ;)

Long unavailable on DVD, it was finally made one of Warner's print-on-Demand DVDs about a year ago.


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Unread postPosted: Tue Jan 08, 2013 12:08 pm 
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Now we have... Theatre of Blood (1973) - the classical tones in this one lend an unexpected poignancy to what should be a simple psycho-horror-thriller starring Vincent Price. Does this score mock the traditional elements of such horror fare..? I'm not sure... but it remains memorable to me and very well done:

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>>>>>>>> composer: Michael J. Lewis


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Unread postPosted: Tue Jan 08, 2013 8:08 pm 
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Interesting choices, Kaptain. I like 'em.


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Unread postPosted: Tue Jan 08, 2013 9:56 pm 
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Thanks, DrMoreau - I figured you may find the horror offers interesting, even if possibly other members here might be baffled by these choices. This next one continues the classical theme, but in a romantic mode. Romance, yes... however, it's from a science fiction film - Quest For Love (1971). Yes, it's British sci-fi, about traveling to a parallel Earth, where one might fall in love with Joan Collins (a young Joan Collins - ye can do much worse!):


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>>> composers: Eric Rogers, Peter Rogers


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Unread postPosted: Tue Jan 08, 2013 10:37 pm 
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Then, staying in the realm of science fiction but shifting back a ways into horror, we have Island of Terror (1966) - one of my favorite films in any genre. The music score isn't too shabby either...


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>>>>> composer: Malcolm Lockyer


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Unread postPosted: Wed Jan 09, 2013 12:15 am 
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Then, moving back all the way into pure horror - Jacob's Ladder by Maurice Jarre (I've a feeling that Jarre's work will pop up again on this thread). This film hit me hard back in 1990 and Jarre's score played a large part of that...

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>>> composer: Maurice Jarre /// here's a longer variation:

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...and yet another variation (much of this was the end credits score, appropriately eerie for an ending):

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Unread postPosted: Wed Jan 09, 2013 12:51 pm 
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Some may be thinking, who is Jarre or what's so special about him? As a starting point, we continue with Jarre but switch abruptly from horror to old-style epic, one of Jarre's much earlier efforts from 1965:


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Unread postPosted: Wed Jan 09, 2013 12:58 pm 
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Another epic in a similar vein from 1972, Nicholas and Alexandra, has a central sequence of the Russian army about to march off to war (World War I, during the last year of the Tsar monarchy). We should be appalled at the prospect of all these men marching off to death, but the music makes this a stirring sequence:

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>> composer: Richard Rodney Bennett


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Unread postPosted: Wed Jan 09, 2013 1:07 pm 
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A much later epic in year 2000, Gladiator:

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>> composers: Hans Zimmer, Lisa Gerrard, Klaus Badelt


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Unread postPosted: Wed Jan 09, 2013 7:40 pm 
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Thank you, Kaptain. If I may for just a brief moment jin in to your momentum and bring yet another genre into play - Noir - with a sound track so good Martin Scorsese kept if for his remake of the original film. From Bernard Herrmann, Cape Fear:




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Unread postPosted: Wed Jan 09, 2013 9:22 pm 
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Good one, DrMoreau - yas-s-s, I agree, one of the all-time best. In fact, I sometimes play the beginning credits of the remake just to hear that score over the Saul Bass titles -->


Spooky..! :shock:
(btw, this clip ends at the 3-minute mark and then there's just another minute of the movie title on the screen for some reason...) :wtf:


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Unread postPosted: Thu Jan 10, 2013 11:33 am 
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btw, even earlier than the original Cape Fear, Bernard Herrmann produced a completely different, rousing score for the best Sinbad adventure movie, way back in 1958:


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Unread postPosted: Thu Jan 10, 2013 11:44 am 
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And who can forget the foreboding, disturbing scary score for the original It's Alive (1974)? Yep, it's Herrmann..!


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Unread postPosted: Fri Jan 11, 2013 7:20 pm 
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btw, getting back to Saul Bass, what about the titles sequence to Seconds (1966) - even spookier than Cape Fear (this clip is done by the same folks who did the Cape Fear remake titles clip, so there's that extra minute at the end just showing the title):

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>> composer: Jerry Goldsmith


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Unread postPosted: Fri Jan 11, 2013 7:34 pm 
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Fun movie might I add, Kaptain.


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Unread postPosted: Sun Jan 13, 2013 10:49 am 
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When I mentioned a couple of epics above, I forgot about one personal favorite - the score for Genghis Khan (1965), which starred Omar Sharif as the conqueror:

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>> composer: Dušan Radić


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Unread postPosted: Sun Jan 13, 2013 3:37 pm 
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How about: THE BUCCANEER (1958) Music by Elmer Bernstein



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Unread postPosted: Sun Jan 13, 2013 8:11 pm 
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Nice one; it reminds me of The Ten Commandments - which makes sense as that one is also Bernstein and DeMille, though, surprisingly, I prefer The Buccaneer slightly -- it's a little more exciting. My favorite Bernstein score is probably for The Great Escape (1963), though I've seen that film so many times that the music sounds a little stale to me now:


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Unread postPosted: Sun Jan 13, 2013 10:20 pm 
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Bernstein also composed the score for Zulu Dawn (1979) >>


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Unread postPosted: Sun Jan 13, 2013 10:24 pm 
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...though I prefer the score for Zulu (1964) starring Michael Caine in his first big role:

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>> composer: John Barry


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Unread postPosted: Sun Jan 13, 2013 10:48 pm 
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Unread postPosted: Sun Jan 13, 2013 10:50 pm 
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Unread postPosted: Sun Jan 13, 2013 10:54 pm 
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Unread postPosted: Sun Jan 13, 2013 10:57 pm 
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Unread postPosted: Sun Jan 13, 2013 10:58 pm 
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Unread postPosted: Sun Jan 13, 2013 11:00 pm 
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Magnificent.


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Unread postPosted: Sun Jan 13, 2013 11:01 pm 
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The "Requiem" scene from Amadeus:


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Unread postPosted: Sun Jan 13, 2013 11:08 pm 
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The "Commendatore" scene:


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Unread postPosted: Sun Jan 13, 2013 11:17 pm 
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Unread postPosted: Sun Jan 13, 2013 11:18 pm 
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How about something recent?


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Unread postPosted: Mon Jan 14, 2013 3:34 pm 
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When pointing out music scores by Ennio Morricone on a thread, we would be remiss if we did not mention his Dollars trilogy - the first one was A Fistful of Dollars (1964). These all starred Clint Eastwood:


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Unread postPosted: Mon Jan 14, 2013 3:37 pm 
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Next was For a Few Dollars More (1965):


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Unread postPosted: Mon Jan 14, 2013 3:40 pm 
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and finally, the 3rd and best one, The Good, The Bad and the Ugly (1966):


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Unread postPosted: Mon Jan 14, 2013 3:48 pm 
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The Good, the Bad and the Ugly was a long film and there were many music cues and sequences throughout the film which were memorable, such as the one subtitled "The Ecstasy of Gold" and the finale:




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Unread postPosted: Mon Jan 14, 2013 3:56 pm 
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Speaking of long films - and still Morricone - there was Once Upon a Time in the West (1968):


"The Man With the Harmonica" was played by Charles Bronson; his nemesis was ultimate badman Henry Fonda. Bang!


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Unread postPosted: Mon Jan 14, 2013 4:06 pm 
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Less known but just as memorable was Morricone's score for Navajo Joe (1966), which featured Burt Reynolds in an early starring role:

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also, check this one out, subtitled "Silhouette of Doom" - it plays about 10 minutes into the film...

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Some members may recognize these themes because Quentin Tarantino likes to re-use them in his films, such as in his Kill Bill films...


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Unread postPosted: Mon Jan 14, 2013 10:11 pm 
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For a more humorous take on Spaghetti western scores, we have They Call Me Trinity (1970) - this includes lyrics sung with the music:

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> composer: Franco Micalizzi

...or if you just want to listen to it while it plays over the amusing beginning credits of the film:

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Unread postPosted: Tue Jan 15, 2013 9:09 pm 
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Last Tango in Paris Soundtrack condensed to just over 4 1/2 minutes


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Unread postPosted: Sun Jan 20, 2013 8:31 pm 
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I'll switch this back to science fiction - I had a few film scores in mind, but forgot the others; for now, here's the one for The Black Hole (1979). The film itself was so-so, but the music grabbed me during the credits when I saw this in the theater:

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>> composer: John Barry (see above, for Zulu)


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Unread postPosted: Sun Jan 20, 2013 9:20 pm 
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Kaptain Kirk wrote:
I'll switch this back to science fiction - I had a few film scores in mind, but forgot the others; for now, here's the one for [font=Impact]The Black Hole]


Oh man! I remember watching 'The Black Hole' and thinking "that score is SO James Bond!"

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Unread postPosted: Sun Jan 20, 2013 9:25 pm 
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One of the most beautiful little tunes I think I've ever heard, the 'Music Box Theme" from 1980's "The Changeling".


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Unread postPosted: Sun Jan 20, 2013 9:46 pm 
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Talking about beautiful (the score, not Heston), from one of my favorite sf films, about the last man on Earth....

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>> composer: Ron Granier


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Unread postPosted: Mon Jan 21, 2013 8:01 pm 
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The Time Machine (1960) Love Theme by Russell Garcia


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Unread postPosted: Wed Jan 30, 2013 7:00 pm 
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Nominated for an Oscar for Best Original song in 1961.


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Unread postPosted: Fri Feb 01, 2013 1:31 am 
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Ah, yes, I pity those who cannot appreciate that good old stuff -- they knew how to place songs to films back then... I run these through my mind over & over.. like windmills.. spiraling in my mind...

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The Thomas-Crown Affair (1968) starred Steve McQueen and Faye Dunaway. Song by Michel Legrand.


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Unread postPosted: Wed Feb 13, 2013 11:47 pm 
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Lalo Schifrin's Magnum Force! Just don't make em like this anymore. :cry:


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Unread postPosted: Thu Feb 21, 2013 10:45 pm 
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Speaking of Lalo Schifrin, two of my big ones are KELLY'S HEROES and THE LIQUIDATOR.
When it comes to the first one, I'm lucky enough to have the expanded CD of it. (On the original album a whole lot of the music is reworked from what you hear in the film. It's all ENTERTAINING, but that makes it kind of a mixed blessing. The CD includes that, but takes in everything else as well.)


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